Composed under Stalinist persecution, this is a statement of Mandelstam’s own poetics and of Dante viewed through a Russian lens: ‘If the halls of the Hermitage should suddenly go mad, if the paintings of all schools and masters should suddenly break loose from the nails, should fuse, intermingle, and fill the air of the rooms with futuristic howling and colours in violent agitation, the result then would be something like Dante’s Comedy.’
Most lucid in analogy and metaphor – his major categories being the fixed (stone, textile) and the mutable (journey, movement) – Mandelstam recasts Dante as his ‘tortured and outcast’ fellow-sufferer.
Related recommendation: TS Eliot’s essay ‘Dante’ (1929 and collected in Selected Essays)
Can also be found at: British Library shelfmark P.981.68
Themes: Artistic Method, Vocation and Celebrity
Genres: Critical, Lyrical or Poetic